The business model of red fruit is to do short-cast ecology, not just short-run content.
You’re going to lose yourself by making short plays with your mind.
You see, the latest series of actions of the red fruit, such as encouraging actors to give their accounts flowers, prognosis, the daily lives of actors, etc., are becoming more and more like tremors and little red books.
I’ve also been saying that red fruit is a tremor of the story track, not of the short play.
Euphrates is a content platform company that wins by content. But the red fruit has taken the lead in upgrading from a content platform to an eco-platform, compared to Einte. It’s like shivering, you know, you’re going from a entertainment platform to a business platform.
You’re going to see Yo Ae-Teng, you’re probably going to start a business.
The competition for the future of the red fruit and the euphoria was never an ecological contest, not a matter of content.
I’ve always told you that short play is to be filmed on a mobile phone, back to the PGC model, not become a pure OGC model like the Internet.
And the short play that we’re talking about is actually an ecological, not a content form.
It is also the day when many of the content parties always complain that traffic and capital kidnap content without giving you such a good content, because you do not understand this bottom-up logic of the platform.
So if you want to do the short play business, not just do the short play, but also do the short play PGC model, bringing in thousands of short play creators and companies who can “generated their own flow”. Let them run short play accounts and make money on the Euerten platform, and we’ll all hang out with the short video platform.
And as far as the short play is concerned, you have to follow the platform’s rules to do something strong.
To survive, it is necessary to make accounts based on content, to make artists ‘ accounts, to do theatre accounts without artists, and to integrate deeply into the medieval ecology. And you’re gonna make more money than anyone else who’s just scrumptious.
Short opera is a major category of red fruit, but it is not the only one. The red fruit drama ecology is centred on the head actor and the theatre IP.
There are now short video channels with various accounts, such as plays and storytelling. There may also be short dramas, short dramas, and so on, and new content that we are not expecting.
Even, as in the case of tremors and watermelons, the account numbers of the red fruit and the tremors may be accessed, uploaded and published in sync.
The red fruit could be 10 times more active in a second. There is no need for a platform to develop community interaction in a gradual manner, and short-lived ecology has been created in a simple and brutal manner.
The business model of the fruit is dominated by advertising, the more people brush it, the longer they stay, the more they earn.
This is a profit-making model, like a tremor. Even watching the live feed. As long as more users are able to meet their needs and more users are able to stay here, the higher the income from the fruit will be.
So it has also been argued that the red fruit is not a content platform, but a “user-time-operated platform”, and that the red fruit system algorithm, which places the “output rate” at its core, is determined by its business model, and that it is not necessarily content, but rather a “take-off-of-user time” with Yo Aitten.
